![]() ![]() ![]() No work without and aggressive character can be a masterpiece,” shaking the European perspective of the classic and the beautiful.Īll of these ideas ended up on the desk of a young Italian political-science student who after being raised in a strictly patriarchal family finally saw herself out of the nest and yearning for a revolution. The Romantics wrote about it, the French were obsessed with it-all through Baudelaire and Zola-but it was in 1909 Italy where the founder of the Futurist movement, Filippo Tommaso Marinetti wrote, “There is no more beauty. The quest for beauty is no recent conundrum, it dates back to Ancient Greece when it would be the topic of endless afternoons between Plato and Aristotle later in the 18th century, Kant developed aesthetics, a separate branch of philosophy that theorized beauty and eventually shaped many of today’s standards. There is a word in fashion that you’ll hear in every meeting, elevator pitch, or cocktail party: aspirational.įrom the show-notes-the written manifestos/press releases distributed on the seats for guests to understand the collection just before it’s presented on the runway-the casting choices, color trends, or even perfume ads, in fashion every construct of beauty is impregnated, designed and produced with the idea of being better-of becoming better.īut in order for enhancement to come into the scene, one has to first acknowledge the flaws in the room. ![]()
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